Tuesday, 29 November 2022

📝 Sittanavasal Cave (Arivar Koil) Paintings ðŸ”ķ Dated from 1st century BC to 10th century AD, and located in Tamil Nadu, these famous rock-cut cave temples are known for the paintings based on Jainism. ðŸ”ķ These murals have close resemblance to Bagh and Ajanta paintings.The paintings are not only on the walls but also on the ceiling and pillars. ðŸ”ķ The paintings are with the theme of Jain Samavasarana (Preaching hall).Some scholars believe that these caves belong to the Pallava period, when King Mahendravarman I excavated the temple, while others attribute them to when Pandya ruler renovated the shrine in the 7th century. ðŸ”ķ The medium used for painting was vegetable and mineral dyes, and was done by putting colours on surface of thin wet lime plaster. ðŸ”ķ The common colours included yellow, green, orange, blue, black and white.📝 āŠļિāŠĪ્āŠĪāŠĻāŠĩાāŠļāŠē āŠ—ુāŠŦા (āŠ…āŠ°િāŠĩāŠ° āŠ•ોāŠˆāŠē) āŠšિāŠĪ્āŠ°ો ðŸ”ķ āŠˆ.āŠļ. āŠŠૂāŠ°્āŠĩે 1āŠēી āŠļāŠĶીāŠĨી 10āŠŪી āŠļāŠĶી āŠļુāŠ§ીāŠĻી, āŠ…āŠĻે āŠĪāŠŪિāŠēāŠĻાāŠĄુāŠŪાં āŠļ્āŠĨિāŠĪ, āŠ† āŠŠ્āŠ°āŠ–્āŠŊાāŠĪ āŠ°ોāŠ•-āŠ•āŠŸ āŠ—ુāŠŦા āŠŪંāŠĶિāŠ°ો āŠœૈāŠĻ āŠ§āŠ°્āŠŪ āŠŠāŠ° āŠ†āŠ§ાāŠ°િāŠĪ āŠšિāŠĪ્āŠ°ો āŠŪાāŠŸે āŠœાāŠĢીāŠĪા āŠ›ે.ðŸ”ķ āŠ† āŠ­ીંāŠĪāŠšિāŠĪ્āŠ°ો āŠŽાāŠ— āŠ…āŠĻે āŠ…āŠœંāŠĪાāŠĻાં āŠšિāŠĪ્āŠ°ો āŠļાāŠĨે āŠ—ાāŠĒ āŠļાāŠŪ્āŠŊ āŠ§āŠ°ાāŠĩે āŠ›ે. āŠ† āŠšિāŠĪ્āŠ°ો āŠŪાāŠĪ્āŠ° āŠĶિāŠĩાāŠēો āŠŠāŠ° āŠœ āŠĻāŠđીં, āŠŠāŠĢ āŠ›āŠĪ āŠ…āŠĻે āŠĨાંāŠ­āŠēાāŠ“ āŠŠāŠ° āŠŠāŠĢ āŠ›ે.ðŸ”ķ āŠšિāŠĪ્āŠ°ો āŠœૈāŠĻ āŠļāŠŪāŠĩāŠļāŠ°āŠĢ (āŠŠ્āŠ°āŠšાāŠ° āŠđોāŠē) āŠĻી āŠĨીāŠŪ āŠļાāŠĨે āŠ›ે. āŠ•ેāŠŸāŠēાāŠ• āŠĩિāŠĶ્āŠĩાāŠĻો āŠŪાāŠĻે āŠ›ે āŠ•ે āŠ† āŠ—ુāŠŦાāŠ“ āŠŠāŠē્āŠēāŠĩ āŠ•ાāŠģāŠĻી āŠ›ે, āŠœ્āŠŊાāŠ°ે āŠ°ાāŠœા āŠŪāŠđેāŠĻ્āŠĶ્āŠ°āŠĩāŠ°્āŠŪāŠĻ āŠŠ્āŠ°āŠĨāŠŪāŠ āŠŪંāŠĶિāŠ°āŠĻું āŠ–ોāŠĶāŠ•ાāŠŪ āŠ•āŠ°્āŠŊું āŠđāŠĪું, āŠœ્āŠŊાāŠ°ે āŠ…āŠĻ્āŠŊ āŠēોāŠ•ો āŠĪેāŠĻે āŠķ્āŠ°ેāŠŊ āŠ†āŠŠે āŠ›ે āŠ•ે āŠœ્āŠŊાāŠ°ે āŠŠંāŠĄ્āŠŊા āŠķાāŠļāŠ•ે 7āŠŪી āŠļāŠĶીāŠŪાં āŠŪંāŠĶિāŠ°āŠĻો āŠœીāŠ°્āŠĢોāŠĶ્āŠ§ાāŠ° āŠ•āŠ°્āŠŊો āŠđāŠĪો. .ðŸ”ķ āŠŠેāŠ‡āŠĻ્āŠŸિંāŠ— āŠŪાāŠŸે āŠĩāŠŠāŠ°ાāŠĪું āŠŪાāŠ§્āŠŊāŠŪ āŠĩāŠĻāŠļ્āŠŠāŠĪિ āŠ…āŠĻે āŠ–āŠĻિāŠœ āŠ°ંāŠ—ોāŠĻું āŠđāŠĪું, āŠ…āŠĻે āŠŠાāŠĪāŠģા āŠ­ીāŠĻા āŠšૂāŠĻાāŠĻા āŠŠ્āŠēાāŠļ્āŠŸāŠ°āŠĻી āŠļāŠŠાāŠŸી āŠŠāŠ° āŠ°ંāŠ—ો āŠŪૂāŠ•ીāŠĻે āŠ•āŠ°āŠĩાāŠŪાં āŠ†āŠĩ્āŠŊું āŠđāŠĪું.ðŸ”ķ āŠļાāŠŪાāŠĻ્āŠŊ āŠ°ંāŠ—ોāŠŪાં āŠŠીāŠģો, āŠēીāŠēો, āŠĻાāŠ°ંāŠ—ી, āŠĩાāŠĶāŠģી, āŠ•ાāŠģો āŠ…āŠĻે āŠļāŠŦેāŠĶ āŠļāŠŪાāŠĩેāŠķ āŠĨાāŠŊ āŠ›ે.

📝 Sittanavasal Cave (Arivar Koil) Paintings
 
ðŸ”ķ Dated from 1st century BC to 10th century AD, and located in Tamil Nadu, these famous rock-cut cave temples are known for the paintings based on Jainism. 

ðŸ”ķ These murals have close resemblance to Bagh and Ajanta paintings.The paintings are not only on the walls but also on the ceiling and pillars. 

ðŸ”ķ The paintings are with the theme of Jain Samavasarana (Preaching hall).Some scholars believe that these caves belong to the Pallava period, when King Mahendravarman I excavated the temple, while others attribute them to when Pandya ruler renovated the shrine in the 7th century. 

ðŸ”ķ The medium used for painting was vegetable and mineral dyes, and was done by putting colours on surface of thin wet lime plaster. 

ðŸ”ķ The common colours included yellow, green, orange, blue, black and white.

📝 āŠļિāŠĪ્āŠĪāŠĻāŠĩાāŠļāŠē āŠ—ુāŠŦા (āŠ…āŠ°િāŠĩāŠ° āŠ•ોāŠˆāŠē) āŠšિāŠĪ્āŠ°ો
 
ðŸ”ķ āŠˆ.āŠļ. āŠŠૂāŠ°્āŠĩે 1āŠēી āŠļāŠĶીāŠĨી 10āŠŪી āŠļāŠĶી āŠļુāŠ§ીāŠĻી, āŠ…āŠĻે āŠĪāŠŪિāŠēāŠĻાāŠĄુāŠŪાં āŠļ્āŠĨિāŠĪ, āŠ† āŠŠ્āŠ°āŠ–્āŠŊાāŠĪ āŠ°ોāŠ•-āŠ•āŠŸ āŠ—ુāŠŦા āŠŪંāŠĶિāŠ°ો āŠœૈāŠĻ āŠ§āŠ°્āŠŪ āŠŠāŠ° āŠ†āŠ§ાāŠ°િāŠĪ āŠšિāŠĪ્āŠ°ો āŠŪાāŠŸે āŠœાāŠĢીāŠĪા āŠ›ે.

ðŸ”ķ āŠ† āŠ­ીંāŠĪāŠšિāŠĪ્āŠ°ો āŠŽાāŠ— āŠ…āŠĻે āŠ…āŠœંāŠĪાāŠĻાં āŠšિāŠĪ્āŠ°ો āŠļાāŠĨે āŠ—ાāŠĒ āŠļાāŠŪ્āŠŊ āŠ§āŠ°ાāŠĩે āŠ›ે. āŠ† āŠšિāŠĪ્āŠ°ો āŠŪાāŠĪ્āŠ° āŠĶિāŠĩાāŠēો āŠŠāŠ° āŠœ āŠĻāŠđીં, āŠŠāŠĢ āŠ›āŠĪ āŠ…āŠĻે āŠĨાંāŠ­āŠēાāŠ“ āŠŠāŠ° āŠŠāŠĢ āŠ›ે.

ðŸ”ķ āŠšિāŠĪ્āŠ°ો āŠœૈāŠĻ āŠļāŠŪāŠĩāŠļāŠ°āŠĢ (āŠŠ્āŠ°āŠšાāŠ° āŠđોāŠē) āŠĻી āŠĨીāŠŪ āŠļાāŠĨે āŠ›ે. āŠ•ેāŠŸāŠēાāŠ• āŠĩિāŠĶ્āŠĩાāŠĻો āŠŪાāŠĻે āŠ›ે āŠ•ે āŠ† āŠ—ુāŠŦાāŠ“ āŠŠāŠē્āŠēāŠĩ āŠ•ાāŠģāŠĻી āŠ›ે, āŠœ્āŠŊાāŠ°ે āŠ°ાāŠœા āŠŪāŠđેāŠĻ્āŠĶ્āŠ°āŠĩāŠ°્āŠŪāŠĻ āŠŠ્āŠ°āŠĨāŠŪāŠ āŠŪંāŠĶિāŠ°āŠĻું āŠ–ોāŠĶāŠ•ાāŠŪ āŠ•āŠ°્āŠŊું āŠđāŠĪું, āŠœ્āŠŊાāŠ°ે āŠ…āŠĻ્āŠŊ āŠēોāŠ•ો āŠĪેāŠĻે āŠķ્āŠ°ેāŠŊ āŠ†āŠŠે āŠ›ે āŠ•ે āŠœ્āŠŊાāŠ°ે āŠŠંāŠĄ્āŠŊા āŠķાāŠļāŠ•ે 7āŠŪી āŠļāŠĶીāŠŪાં āŠŪંāŠĶિāŠ°āŠĻો āŠœીāŠ°્āŠĢોāŠĶ્āŠ§ાāŠ° āŠ•āŠ°્āŠŊો āŠđāŠĪો. .

ðŸ”ķ āŠŠેāŠ‡āŠĻ્āŠŸિંāŠ— āŠŪાāŠŸે āŠĩāŠŠāŠ°ાāŠĪું āŠŪાāŠ§્āŠŊāŠŪ āŠĩāŠĻāŠļ્āŠŠāŠĪિ āŠ…āŠĻે āŠ–āŠĻિāŠœ āŠ°ંāŠ—ોāŠĻું āŠđāŠĪું, āŠ…āŠĻે āŠŠાāŠĪāŠģા āŠ­ીāŠĻા āŠšૂāŠĻાāŠĻા āŠŠ્āŠēાāŠļ્āŠŸāŠ°āŠĻી āŠļāŠŠાāŠŸી āŠŠāŠ° āŠ°ંāŠ—ો āŠŪૂāŠ•ીāŠĻે āŠ•āŠ°āŠĩાāŠŪાં āŠ†āŠĩ્āŠŊું āŠđāŠĪું.

ðŸ”ķ āŠļાāŠŪાāŠĻ્āŠŊ āŠ°ંāŠ—ોāŠŪાં āŠŠીāŠģો, āŠēીāŠēો, āŠĻાāŠ°ંāŠ—ી, āŠĩાāŠĶāŠģી, āŠ•ાāŠģો āŠ…āŠĻે āŠļāŠŦેāŠĶ āŠļāŠŪાāŠĩેāŠķ āŠĨાāŠŊ āŠ›ે.

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