ðķThe Mughal paintings reached its zenith in the period of Jahangir. He was a naturalist by nature and preferred the paintings of flora and fauna, i.e. birds, animals, trees and flowers.
ðķHe shifted from illustrated manuscripts to album and emphasised on bringing naturalism to portrait (individual) painting.
ðķOne of the unique trends that developed in this period was of
decorated margins around the paintings that were sometimes as elaborate as the paintings themselves.
ð āŠāŠđાંāŠીāŠ° āŠĶāŠ°āŠŪિāŠŊાāŠĻ āŠēāŠુāŠિāŠĪ્āŠ° āŠŠેāŠāŠĻ્āŠિંāŠ
ðķ āŠŪુāŠāŠē āŠિāŠĪ્āŠ°ો āŠāŠđાંāŠીāŠ°āŠĻા āŠļāŠŪāŠŊāŠાāŠģાāŠŪાં āŠŠāŠ°ાāŠાāŠ·્āŠ ાāŠ āŠŠāŠđોંāŠ્āŠŊા āŠđāŠĪા. āŠĪેāŠ āŠļ્āŠĩāŠાāŠĩે āŠŠ્āŠ°āŠૃāŠĪિāŠĩાāŠĶી āŠđāŠĪા āŠ
āŠĻે āŠĩāŠĻāŠļ્āŠŠāŠĪિ āŠ
āŠĻે āŠŠ્āŠ°ાāŠĢીāŠļૃāŠ·્āŠિāŠĻા āŠિāŠĪ્āŠ°ો āŠāŠāŠēે āŠે āŠŠāŠ્āŠ·ીāŠ, āŠŠ્āŠ°ાāŠĢીāŠ, āŠĩૃāŠ્āŠ·ો āŠ
āŠĻે āŠŦૂāŠēોāŠĻે āŠŠāŠļંāŠĶ āŠāŠ°āŠĪા āŠđāŠĪા.
ðķāŠĪેāŠĢે āŠļāŠિāŠĪ્āŠ° āŠđāŠļ્āŠĪāŠŠ્āŠ°āŠĪોāŠŪાંāŠĨી āŠāŠē્āŠŽāŠŪāŠŪાં āŠļ્āŠĨાāŠĻાંāŠĪāŠ°િāŠĪ āŠāŠ°્āŠŊું āŠ
āŠĻે āŠŠોāŠ્āŠ°ેāŠ (āŠĩ્āŠŊāŠ્āŠĪિāŠāŠĪ) āŠŠેāŠāŠĻ્āŠિંāŠāŠŪાં āŠŠ્āŠ°ાāŠૃāŠĪિāŠāŠĪા āŠēાāŠĩāŠĩા āŠŠāŠ° āŠાāŠ° āŠŪૂāŠ્āŠŊો.
ðķāŠ āŠļāŠŪāŠŊāŠાāŠģાāŠŪાં āŠĩિāŠāŠļિāŠĪ āŠĨāŠŊેāŠēા āŠ
āŠĻોāŠા āŠŠ્āŠ°āŠĩાāŠđો āŠŠૈāŠીāŠĻો āŠāŠ āŠđāŠĪો
āŠŠેāŠāŠĻ્āŠિંāŠ્āŠļāŠĻી āŠāŠļāŠŠાāŠļ āŠļુāŠķોāŠિāŠĪ āŠŪાāŠ°્āŠિāŠĻ āŠે āŠ્āŠŊાāŠ°ેāŠ āŠŠેāŠāŠĻ્āŠિંāŠ્āŠļāŠĻી āŠેāŠŪ āŠ āŠĩિāŠļ્āŠĪૃāŠĪ āŠđāŠĪા.
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